Screenwriter Spotlight: Winner – Bob Haus

Screenwriter Spotlight: Winner Bob Haus

What’s your name? Where were you born? Where do you live? And what’s your hobby?

Bob Haus. I was born in Sewickley, Pennsylvania, and live in Oakland, California.  My hobbies are playing bass trombone, tuba, and piano. I’m also an avid bicyclist.

Where did you come up with the concept that just won the screenplay contest? How long did it take you to develop it into the screenplay it is now?

The story was inspired by my time working at a low-budget television station in Victorville, California, in the late 1980’s.  After I became a fan of “Northern Exposure,” I started to toss around ideas regarding a small-town television station. I wrote the first draft of this script in 1997.

From concept to finished draft, can you take us through your screenwriting process?

I knew I wanted the story to be the classic fish-out-of-water scenario.  And I wanted the main character to be a woman.  At first, I thought she should be a newcomer to the business, fresh out of college.  But then I read a newspaper story about a news director at an LA TV station who not only harassed the female employees, but threatened to blacklist them from the business if they complained.

After writing the first draft, I learned most studios prefer pilots written by writers who have put in their time working as staff writers on existing shows.  I planned to transition from television news to television scriptwriting.  For several reasons, it didn’t happen.

But when I learned about the reboot of “Murphy Brown,” I decided to dust off the script. My attitude was, “Come on, guys, you can come up with SOMETHING new.” I rewrote the script several times, then entered it in film festivals and writing contests. I’ve continued to rewrite and polish it since then.

When did you realize that you wanted to become a screenwriter?

When I read the Time Magazine article about the making of “All The President’s Men,” I was quite impressed with the challenge of turning the book into a screenplay. Later, I read William Goldman’s “Adventures in the Screen Trade,” and was further inspired.  And I’m sure I’m not the only person who was motivated by Gene Siskel and Roger Ebert’s weekly shows.

Who are your biggest filmmaking/screenwriting influences? What about their style do you like or borrow?

Frank Perry’s “David and Lisa” is an enormous influence. Beautifully understated and restrained. Francis Coppola, for both “Patton” and “The Godfather.” Barry Levinson’s “Tin Men” is an underappreciated classic.

Have you ever been obsessed with a movie or TV show? If so, which one? Why?

When “Hill Street Blues” premiered, I found myself thinking, “This is what we’ve been waiting for!”  I couldn’t understand why the show had such low ratings, and became a one-man PR firm for the show. I told everyone I knew how great it was.  The messy, gritty look of the show seemed, to me, more “real” than anything I’d ever seen.

What’s your favorite moment in cinema history? Why?

I have two.  The ending of Chaplin’s “City Lights” is, for me, the greatest ending of any film.  And in “A League of Their Own,” I love the scene in which Helen Haley figures out that Shirley Baker is illiterate. That scene is as close to perfect as you’ll ever get.

Who’s your favorite character in cinema history? Why?

Captain Virgil Hilts, as played by Steve McQueen, in “The Great Escape.”  Coolest character of all time.

If you could talk to anyone from any era, who would it be and what would you ask them?  

James Buchanan is widely considered to be the worst American President. Yet he was quite intelligent, and possibly the most well-qualified man ever elected to the office. I’d like to ask him how someone so smart could screw up so badly.  There is also serious disagreement over whether he was our first gay President. I’d like to tell him, “I’ll keep your secret. Gay or straight?”